Zeki Demirkubuz is one of Turkey’s prominent film directors. His retrospectives have been shown at the Viennnale, Boston Museum of Art, Toronto Film Festival, Anthology Film Archives, University of Michigan, Film Society of Lincoln Center, Brussels Cinematheque, and New Horizons Film Festival, Cluj Film Festival among others.

BIOGRAPHY
Born in Isparta in 1964, Demirbukuz studied Communications at Istanbul University Faculty of Communications before working as assistant director for various directors until making Block-C (C Blok, 1994), his first feature film. After Block-C, Demirkubuz continued to work as an auteur and independent filmmaker writing his own original screenplays. Film critics and international audiences noticed Demirkubuz with his second film, Innocence (Masumiyet, 1997) which was screened at Venice Film Festival and The Third Page (Üçüncü Sayfa, 1999) which was screened at several festivals in Turkey and Europe, including Locarno and Rotterdam. Demirkubuz started to work on his trilogy called “Tales of Darkness.” The first two parts of the trilogy Fate (Yazgı, 2001) and Confession (Itiraf, 2001) were screened at Un Certain Regard at Cannes in 2002. The Waiting Room (Bekleme Odası, 2003) in which Demirkubuz also played the leading role, concluded the trilogy. Destiny (Kader, 2006), the prequel to Innocence, has been followed by Envy (Kıskanmak, 2009), Inside (Yeraltı, 2012), Nausea (Bulantı, 2015). He completed his film Ember (Kor, 2016), which followed his film Life (Hayat, 2023).
His retrospectives have been shown at the Viennnale, Boston Museum of Art, Toronto Film Festival, Anthology Film Archives, University of Michigan, Film Society of Lincoln Center, Brussels Cinematheque, and New Horizons Film Festival, Cluj Film Festival among others.

Demirkubuz started to work on his trilogy called “Tales of Darkness.” The first two parts of the trilogy Fate (Yazgı, 2001) and Confession (Itiraf, 2001) were scree- ned at Un Certain Regard at Cannes in 2002. The Waiting Room (Bekleme Odası, 2003) in which Demirkubuz also played the leading role, concluded the trilogy. Destiny (Kader, 2006), the prequel to Innocence, has been followed by Envy (Kıskanmak, 2009), Inside (Yeraltı, 2012), Nausea (Bulantı, 2015). He completed his film Ember (Kor, 2016), which followed his film Life (Hayat, 2023).
Retrospectives
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International Film Festival Film by the Sea (The Netherlands)
2010
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New Horizons Film Festival (Poland)
2010
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Brussels Cinematheque (Belgium)
2009
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Pacific Film Archive at Berkeley Art Museum (USA)
2007
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Film Society of Lincoln Center (USA)
2007
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Duke University (with the declaration of Prof. Fredric Jameson) (USA)
2004
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Houston Museum of Fine Arts (USA)
2004
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2004
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Harkins Valley Art Theatre (USA)
2004
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2003
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Toronto Film Festival (Canada)
2003
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2003
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Wexner Center for the Arts (USA)
2003
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2002
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2001
Press Articles
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A Note on the Specifity of Turkish Cinema
2004
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Zeki Demirkubuz: By the Light of the Dark
2006
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Prison as Metaphor Is The Guiding Light of This Turkish Director’s Austere, Literary Vision
March - April 2003
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Mental Minefields: The Dark Tales of Zeki Demirkubuz
2007
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Scars and Bars: Turkish Anomie and Anonymity
March 26 - April 1 2003
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Zeki Demirkubuz. The Providence Phoenix
April 16 - 22 2004
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Jail Made Me a Film Director. The Guardian.
January 30 2006
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The Scraps of Time: Zeki Demirkubuz’s Cinema. Mental Minefields: The Dark Tales of Zeki Demirkubuz
2007
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About Zeki Demirkubuz. Mental Minefields: The Dark Tales of Zeki Demirkubuz
2007
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Young Turk: Zeki Demirkubuz Makes Contemporary Turkish Cinema Universal and Personal
2003
Interviews
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Director Zeki Demirkubuz Talks to Jamie Bell about His “Tales of Darkness” Trilogy. Sight and Sound.
February 2006
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October 2006
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Interview with Zeki Demirkubuz
October - November 2004